TV Show Representation

Outer Banks is a widely popular Netflix series that follows a group of teenagers on an adventurous treasure hunt. However, at its core, the show delves into class distinctions. The two primary groups, the “Pogues,” representing the working class, and the “Kooks,” symbolizing the wealthy elite, are often depicted in exaggerated manners, which significantly influences our perception of key characters like John B and Sarah Cameron. 

  

Starting with John B, he serves as the main protagonist and embodies the Pogue identity. He is portrayed as tough, rebellious, and constantly battling against adversity. The series shapes him according to the typical working-class stereotype: determined, independent, and full of heart. These characteristics highlight his background, making his experiences seem both gritty and relatable, while also introducing a hint of romanticism. In this sense, Outer Banks presents poverty in an “exotic” light, showcasing his struggles as challenging yet admirable. By focusing on John B’s challenges, the series positions him as a more “real” character compared to his wealthier counterparts. 

  

In contrast, Sarah Cameron is initially presented as a Kook who fits the rich girl archetype. Coming from an affluent background, she appears sheltered and somewhat disconnected from reality. Her character feels like an outsider within the Pogue community. However, as she grows closer to John B, she begins to distance herself from her privileged lifestyle, leading to a more complicated way. This evolution is intriguing but still carries a romanticized angle, as the show depicts Sarah’s choice to leave her affluent life as noble and adventurous. 

  

In summary, Outer Banks effectively employs familiar stereotypes to illustrate class differences. The Pogues are depicted as rugged yet authentic, while the Kooks are shown as distant and privileged. This representation supports the notion that wealth can lead to emotional detachment, whereas being poor fosters authenticity. The series consistently romanticizes the working class while portraying the rich in a less favorable light, which is a recurring theme throughout.